Table of Contents Preface Acknowledgments Introduction The Politics of Representation: Cahiers du Cinéma 1969–72 1 Jean Narboni, Sylvie Pierre, Jacques Rivette: ‘Montage’ (March 1969) 2 Jean-Pierre Oudart: ‘Cinema and Suture’ (April-May 1969) 3 Jean-Louis Comolli, Jean Narboni: ‘Cinema/Ideology/Criticism’ (October 1969) 4 Pascal Bonitzer, Jean-Louis Comolli, Serge Daney, Jean N...(展开全部)

Quatrième de couverture Contrairement aux Contes moraux, les Contes des 4 saisons ne se présentent pas comme une suite de variations sur un thème donné : celui d'un homme qui, parti à la recherche d'une femme, en rencontre une autre et revient à la première. On peut toutefois déceler a posteriori dans leur structure et leur problématique des analogies, des oppositions, voire de...(展开全部)

This title presents a unique account of cinema's most influential journal. "Cahiers du Cinema" was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the 'seventh art', equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: th...(展开全部)

This title presents a unique account of cinema's most influential journal. "Cahiers du Cinema" was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the 'seventh art', equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: th...(展开全部)

Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to...(展开全部)

Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to...(展开全部)

In the turbulent sixties, the provocative French film journal "Cahiers du Cinema" was at its most influential and controversial. The first successes of the New Wave by major "Cahiers" contributors such as Jean-Luc Godard, Francois Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to...(展开全部)